This paper presents the first comprehensive systematic review of literature on style-based composer identification and authorship attribution in symbolic music scores. Addressing the critical need for improved reliability and reproducibility in this field, the review rigorously analyzes 58 peer-reviewed papers published across various historical periods, with the search adapted to accommodate evolving terminology. The analysis critically assesses prevailing repertoires, computational approaches, and evaluation methodologies, highlighting significant challenges. It reveals that a substantial portion of existing research suffers from inadequate validation protocols and an over-reliance on simple accuracy metrics for often-imbalanced datasets, which can undermine the credibility of attribution claims. The crucial role of robust metrics like Balanced Accuracy and rigorous cross-validation in ensuring trustworthy results is emphasized. The survey also details diverse feature representations and the evolution of machine learning models employed. Notable real-world authorship attribution cases, such as those involving works attributed to Bach, Josquin des Prez, and Lennon–McCartney, are specifically discussed, illustrating the opportunities and pitfalls of applying computational techniques to resolve disputed musical provenance. Based on these insights, a set of actionable guidelines for future research are proposed. These recommendations are designed to significantly enhance the reliability, reproducibility, and musicological validity of composer identification and authorship attribution studies, fostering more robust and interpretable computational stylistic analysis.

Style-Based Composer Identification and Attribution of Symbolic Music Scores: A Systematic Survey

Simonetta, Federico
2025-01-01

Abstract

This paper presents the first comprehensive systematic review of literature on style-based composer identification and authorship attribution in symbolic music scores. Addressing the critical need for improved reliability and reproducibility in this field, the review rigorously analyzes 58 peer-reviewed papers published across various historical periods, with the search adapted to accommodate evolving terminology. The analysis critically assesses prevailing repertoires, computational approaches, and evaluation methodologies, highlighting significant challenges. It reveals that a substantial portion of existing research suffers from inadequate validation protocols and an over-reliance on simple accuracy metrics for often-imbalanced datasets, which can undermine the credibility of attribution claims. The crucial role of robust metrics like Balanced Accuracy and rigorous cross-validation in ensuring trustworthy results is emphasized. The survey also details diverse feature representations and the evolution of machine learning models employed. Notable real-world authorship attribution cases, such as those involving works attributed to Bach, Josquin des Prez, and Lennon–McCartney, are specifically discussed, illustrating the opportunities and pitfalls of applying computational techniques to resolve disputed musical provenance. Based on these insights, a set of actionable guidelines for future research are proposed. These recommendations are designed to significantly enhance the reliability, reproducibility, and musicological validity of composer identification and authorship attribution studies, fostering more robust and interpretable computational stylistic analysis.
2025
music information retrieval, composer identification, authorship attribution
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12571/38445
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